Psychological Factors Involved in the Higher Education of Musicians in Spain: An Exploratory Study from the Students' Experience.

Authors

DOI:

https://doi.org/10.70478/

Keywords:

Motivation, Psychological health, Classroom climate , Stage training , Pedagogical innovation

Abstract

This exploratory-descriptive study analyzes the perceptions of students from Conservatories and Higher Schools of Music (CyESM) in Spain regarding mental and physical health in their training, focusing on motivation, self-efficacy, and performance anxiety, as well as their views on pedagogical innovation and the teacher-student relationship. Using a mixed-methods approach through an ad hoc questionnaire validated by experts, 401 responses were collected from 16 autonomous regions. The results reveal significant rates of musculoskeletal problems and performance anxiety, as well
as a clear demand to integrate psychological preparation, relaxation strategies, and stage training into the curriculum. Regarding innovation, students particularly value teacher preparation, empathy, and the professional competence of the teaching staff. The need for pedagogical methodologies that foster motivation and psychological and physical well-being is emphasized, within an innovative and holistic framework in the CyESM.

Downloads

Download data is not yet available.

References

Aberastury, Fedora (2014). Escritos: sistema consciente para la técnica del movimiento. Leviatán.

Altenmüller, Eckart; Ioannou, Christos I. y Lee, Andre (2015). Apollo’s curse: neurological causes of motor impairments in musicians. En Progress in Brain Research (Vol. 217, pp. 89-106). Elsevier. https://doi.org/10.1016/bs.pbr.2014.11.022

Altenmüller, Eckart, y Jabusch, Hans-Christian (2010). Focal dystonia in musicians: Phenomenology, pathophysiology, triggering factors, and treatment. Medical Problems of Performing Artists, 25(1), 3-9. https://doi.org/10.21091/mppa.2010.1002

American Educational Research Association, American Psychological Association, y National Council on Measurement in Education (2018). Estándares para pruebas educativas y psicológicas (M. Lieve, Trad.). American Educational Research Association. https://www.testingstandards.net/uploads/7/6/6/4/76643089/9780935302745_web.pdf

Ames, Carole y Archer, Jennifer (1988). Achievement goals in the classroom: Students’ learning strategies and motivation processes. Journal of Educational Psychology, 80(3), 260-267. https://doi.org/10.1037/0022-0663.80.3.260

Arias, Angel y Sireci, Stephen (2021). Validez y validación para pruebas educativas y psicológicas: teoría y recomendaciones. Revista Iberoamericana de Psicología, 14(1), 11-22. https://doi.org/10.33881/2027-1786.rip.14102

Austin, James R. y Vispoel, Walter P. (1992). Motivation after failure in school music performance classes: The facilitative effects of strategy attributions. Bulletin of the Council for Research in Music Education, 111, 1-23.

Bandura, Albert (1977). Self-efficacy: Toward a unifying theory of behavioral change. Psychological Review, 84(2), 191-215. https://doi.org/10.1037/0033-295X.84.2.191

Bandura, Albert (1997). Self-efficacy: The exercise of control. Freeman/Times Books/ Henry Holt & Co.

Candisano-Mera, José Agustín y Franco-Vázquez, Carmen (2022). Educación somática en los planes de estudio de piano en España. En Rocío Chao-Fernández, Francisco César Rosa Napal y Aurelio Chao (Eds.), Innovación e investigación en conservatorios y escuelas de música (pp. 33-43). Peter Lang. https://doi.org/10.3726/b19918

Cerasoli, Christopher P.; Nicklin, Jessica M. y Ford, Michael T. (2014). Intrinsic motivation and extrinsic incentives jointly predict performance: A 40-year meta-analysis. Psychological Bulletin, 140(4), 980-1008. https://doi.org/10.1037/a0035661

Clark, Terry y Williamon, Aaron (2011). Evaluation of a mental skills training program for musicians. Journal of Applied Sport Psychology, 23(3), 342-359. https://doi.org/10.1080/10413200.2011.574676

Conable, Barbara y Conable, Benjamin (2000). What every musician needs to know about the body: The practical application of body mapping to making music. Andover.

de Assis, Paulo (2018). Logic of experimentation: Reshaping music performance in and through artistic research. Leuven University Press.

de Bruin, Leon R. (2019). Expert improvisers’ formal, informal and situated influences on learning, motivation and self-efficacy: A qualitative study. Music Education Research, 21(1), 99-115. https://doi.org/10.1080/14613808.2018.1516746

Deci, Edward L.; Koestner, Richard y Ryan, Richard M. (1999). A metaanalytic review of experiments examining the effects of extrinsic rewards on intrinsic motivation. Psychological Bulletin, 125(6), 627-668. https://doi.org/10.1037/0033-2909.125.6.627

Duliège, Dominique y Coursières, Xavier (2002). L’eutonie: Gerda Alexander®. Bernet-Danilo. https://www.alfaomega.es/media/pdf/ficha_3856.pdf

Eccles, Jacquelynne S. y Wigfield, Allan (2002). Motivational beliefs, values, and goals. Annual Review of Psychology, 53(1), 109-132. https://doi.org/10.1146/annurev.psych.53.100901.135153

Escalante, Francisco; Sancho-Andrés, Marta; Fortuny, Alexandre; Marzal, Luis y Lorenzo de Reizábal, Margarita (2024). Innovación educativa en conservatorios y escuelas superiores de música en España desde la perspectiva del profesorado. En Ana Maria Vernia-Carrasco (Ed.), Educación y formación musical. Transformación social, empleabilidad y ODS. Editorial DYKINSON.

Fernández-Morante, Basilio (2018). Psychological violence in current musical education at conservatoires. Revista Internacional de Educación Musical, 6(1), 13-24. https://doi.org/10.12967/RIEM-2018-6-p013-024

Fernández-Morante, Basilio y García, Jorge (2015). De la psicología de la música a la cognición musical: historia de una disciplina ausente en los conservatorios. Artseduca, 10, 38-61. https://dialnet.unirioja.es/servlet/articulo?codigo=5443243

Fernández-Morante, Basilio; Ortiz, Francisco de Paula y Blanco-Piñeiro, Patricia (2020). Profesionales de la psicología como docentes en los conservatorios de música: hacia una educación musical sostenible. Papeles del Psicólogo, 41(2). https://doi.org/10.23923/pap.psicol2021.2949

Ferrero, María Inés y Martín, Mónica (2007). El bien-estar como requisito indispensable para el desarrollo de las actividades musicales grupales en clase. Música y Bienestar Humano. Buenos Aires: SACCoM, 217-229.

García Martínez, Rafael (2015). Cómo preparar con éxito un concierto o audición. Técnicas básicas para dominar el escenario. RedBooks Ediciones.

García-Gómez, Montserrat (2018). Las enfermedades profesionales de los músicos, el precio de la perfección. Archivos de Prevención de Riesgos Laborales, 21(1), 11-17. https://archivosdeprevencion.eu/view_document.php?tpd=2&i=7390

Gómez-Remolina, Luz Ángela (2014). El cuerpo en la escena musical. Pensamiento, Palabra y Obra, 1(12), 84-90. https://doi.org/10.17227/2011804X.12PPO84.90

González-Sánchez, Victor; Dahl, Sofia; Hatfield, Johannes Lunde y Godøy, Rolf Inge (2019). Characterizing movement fluency in musical performance: Toward a generic measure for technology enhanced learning. Frontiers in Psychology, 10, 84. https://doi.org/10.3389/fpsyg.2019.00084

Hayes, Andrew F. y Coutts, Jacob J. (2020). Use omega rather than Cronbach’s alpha for estimating reliability. But…. Communication Methods and Measures, 14(1), 1-24. https://doi.org/10.1080/19312458.2020.1718629

Hernández-Nieto, Rafael (2012). Instrumentos de recolección de datos en ciencias sociales y ciencias biomédicas (1ª Ed). Universidad de los Andes.

Hoffman, Sophie L. y Hanrahan, Stephanie J. (2012). Mental skills for musicians: Managing music performance anxiety and enhancing performance. Sport, Exercise, and Performance Psychology, 1(1), 17-28. https://doi.org/10.1037/a0025409

Kenny, Dianna (2011). The psychology of music performance anxiety. Oxford University Press.

Kenny, Dianna; Driscoll, Tim y Ackermann, Bronwen (2014). Psychological well-being in professional orchestral musicians in Australia: A descriptive population study. Psychology of Music, 42(2), 210-232. https://doi.org/10.1177/0305735612463950

Klöppel, Renate (2005). Ejercitación mental para músicos: aprender más fácilmente - actuar con más seguridad. Idea Books.

Latorre, Nuria Díez y Farran, Xavier Carrera (2018). Integración de las TIC en los procesos de enseñanza-aprendizaje de la especialidad de Pedagogía en los conservatorios superiores de música. RiiTE Revista interuniversitaria de investigación en Tecnología Educativa, 40-55. https://doi.org/10.6018/riite/2018/342681

Linden, Paul (1992). Developing power and sensitivity through movement awareness training. American Music Teacher, 42(2), 26-31. https://www.jstor.org/stable/43542616

Martínez, Isabel-Cecilia (2008). Cognición enactiva y mente corporeizada: el componente imaginativo y metafórico de la audición musical. Estudios de Psicología, 29(1), 31-48. https://doi.org/10.1174/021093908783781419

Mashino, Ako y Seye, Elina (2020). The corporeality of sound and movement in performance. The World of Music, 9(1), 25-46. https://www.jstor.org/stable/26970253

McPherson, Gary E. y McCormick, John (2006). Self-efficacy and music performance. Psychology of Music, 34(3), 322-336. https://doi.org/10.1177/0305735606064841

McPherson, Gary E. y Zimmerman, Barry J. (2011). Self-regulation of musical learning: A social cognitive perspective on developing performance skills. En Richard Colwell y Peter Webster (Eds.), MENC Handbook of Research on Music Learning: Volume 2: Applications. Oxford University Press. https://doi.org/10.1093/acprof:osobl/9780199754397.003.0004

Muñiz-Fernández, José (2003). Teoría clásica de los tests. Pirámide.

Nielsen, Siw G. (2004). Strategies and self-efficacy beliefs in instrumental and vocal individual practice: A study of students in higher music education. Psychology of Music, 32(4), 418-431. https://doi.org/10.1177/0305735604046099

Osborne, Margaret S.; Buell, Don J. y Immel, Don T. (2014). Managing performance anxiety and improving mental skills in conservatoire students through performance psychology training: A pilot study. Psychology of Well-Being, 4(1), 1-17. https://doi.org/10.1186/s13612-014-0018-3

Osborne, Margaret S. y Kenny, Dianna (2008). The role of sensitizing experiences in music performance anxiety in adolescent musicians. Psychology of Music, 36, 447-462. https://doi.org/10.1177/0305735607086051

Osburn, H.G. (2000). Coefficient alpha and related internal consistency reliability coefficients. Psychological Methods, 5(3), 343-355. https://doi.org/10.1037/1082-989x.5.3.343

Paneiva Pompa, Juan Pablo; Bakker, Liliana y Rubiales, Josefina (2018). Clima áulico. Características socio-emocionales del contexto de enseñanza y aprendizaje. https://notablesdelaciencia.conicet.gov.ar/handle/11336/98968

Papageorgi, Ioulia; Creech, Andrea y Welch, Graham (2013). Perceived performance anxiety in advanced musicians specializing in different musical genres. Psychology of Music, 41(1), 18-41. https://doi.org/10.1177/0305735611408995

Papageorgi, Ioulia; Hallam, Susan y Welch, Graham F. (2007). A conceptual framework for understanding musical performance anxiety. Research Studies in Music Education, 28(1), 83-107. https://doi.org/10.1177/1321103X070280010207

Pedrosa, Ignacio; Suárez-Álvarez, Javier y García-Cueto, Eduardo (2014). Evidencias sobre la validez de contenido: avances teóricos y métodos para su estimación. Acción Psicológica, 10(2), 3. https://doi.org/10.5944/ap.10.2.11820

Peñalba-Acitores, Alicia (2008). La intervención del cuerpo en la interpretación musical: estudio del movimiento no visible. En Rubén López-Cano y Rubén Gómez Muns (Eds.), Música, ciudades, redes: creación musical e interacción social. SIBE-Obra Social Caja Duero. https://www.researchgate.net/publication/283322123_La_intervencion_del_cuerpo_en_la_interpretacion_musical_estudio_del_movimiento_no_visible

Peters, Gjalt-Jorn Y. (2014). The alpha and the omega of scale reliability and validity: Why and how to abandon Cronbach’s alpha and the route towards more comprehensive assessment of scale quality. European Health Psychologist, 16(2, 2), 56-69. https://www.ehps.net/ehp/index.php/contents/article/view/ehp.v16.i2.p56

Ritchie, Laura y Williamon, Aaron (2011). Primary school children’s selfefficacy for music learning. Journal of Research in Music Education, 59(2), 146-161. https://doi.org/10.1177/0022429411405214

Robles-Garrote, Pilar y Rojas, Manuela del Carmen (2015). La validación por juicio de expertos: dos investigaciones cualitativas en lingüística aplicada. Revista Nebrija de Lingüística Aplicada a la Enseñanza de Lenguas, 18, 124-139. https://revistas.nebrija.com/revista-linguistica/article/view/259

Roco-Videla, Ángel; Aguilera-Eguía, Raúl y Olguin-Barraza, Mariela (2024). Ventajas del uso del coeficiente de omega de McDonald al alfa de Cronbach. Nutrición Hospitalaria, 41(1), 262-263. https://doi.org/10.20960/nh.04879

Ryan, Richard M. y Deci, Edward L. (2000a). Intrinsic and extrinsic motivations: Classic definitions and new directions. Contemporary Educational Psychology, 25(1), 54-67. https://doi.org/10.1006/ceps.1999.1020

Ryan, Richard M. y Deci, Edward L. (2000b). Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. American Psychologist, 55(1), 68-78. https://doi.org/10.1037/0003-066X.55.1.68

Sánchez-Cortés, Ana M. (2016). Innovación pedagógica desde la perspectiva de comunidades profesionales de aprendizaje. Revista Logos Ciencia & Tecnología, 8(1), 127-135. https://doi.org/10.22335/rlct.v8i1.338

Sancho-Andrés, Marta (2023). Estudio de las asignaturas que incluyen técnicas corporales, emocionales, escénicas y de movimiento en las EASM establecidas en la LOE (I). En Educación, investigación y formación musical: miradas, experiencias y reflexiones desde los diferentes ámbitos y niveles educativos. (pp. 12-26). Dykinson. http://www.jstor.org/stable/jj.1866717.4

Sancho-Andrés, Marta; Escalante, Francisco; Fortuny, Alexandre y Lorenzo de Reizábal, Margarita (2024). Innovación educativa en conservatorios y escuelas superiores de música en España: agentividad y dimensiones de estudio. En Ana Maria Vernia-Carrasco (Ed.), Educación y formación musical. Transformación social, empleabilidad y ODS. Editorial DYKINSON.

Sardà-Rico, Esther (2004). En forma: ejercicios para músicos. Paidós.

Stanhope, Jessica (2016). Physical performance and musculoskeletal disorders: are musicians and sportspeople on a level playing field? Performance Enhancement & Health, 4(1-2), 18-26. https://doi.org/10.1016/j.peh.2015.11.004

Tahirbegi, Damla (2021). Higher music education students’ experiences and management of performance anxiety: A qualitative study. Psychology of Music, 50(4), 1184-1196. https://doi.org/10.1177/03057356211034573

Todd, Chris y Bradley, Clare (1994). Evaluating the design and development of psychological scales. En Clare Bradley (Ed.), Handbook of Psychology and Diabetes. A Guide to Psychological Measurement in Diabetes Research and Practice. Routledge.

Trickett, Edison J. y Moos, Rudolf H. (1995). Classroom Environment Scale manual: Development, applications, research. Consulting Psychologists Press.

Vinasco-Guzmán, Javier Asdrúbal (2012). Una perspectiva semiótica de la interpretación musical. Cuadernos de Música, Artes Visuales y Artes Escénicas, 7(1), 11-38. https://doi.org/10.11144/Javeriana.mavae7-1.psim

Viñas, María Fernanda; Pérez-Botello, Bartolomé; Álamo-Orellana, Ana y Lorenzo de Reizabal, Margarita (2024). La investigación y el emprendimiento como pilares para la innovación en los conservatorios superiores de música. En Ana Maria Vernia-Carrasco (Ed.), Investigación musical: diferentes contextos y niveles educativos (pp. 121-135). Dykinson. https://doi.org/10.2307/jj.13286129.14

Wilkinson, Leland (1999). Statistical methods in psychology journals: Guidelines and explanations. American Psychologist, 54(8), 594-604.https://doi.org/10.1037/0003-066X.54.8.594

Zarza-Alzugaray, Francisco Javier; Casanova-López, Óscar y Orejudo-Hernández, Santos (2016). Music performance anxiety and related psychological constructs. Students of five Spanish music conservatories. Revista Internacional de Educación Musical, 4(1), 13-24. https://doi.org/10.12967/RIEM-2016-4-p013-024

Zelenak, Michael (2011). Self-efficacy in music performance: measuring the sources among secondary school music students. USF Tampa Graduate Theses and Dissertations. https://digitalcommons.usf.edu/etd/3419

Zimmerman, Barry J. (2000). Self-efficacy: An essential motive to learn. Contemporary Educational Psychology, 25(1), 82-91. https://doi.org/10.1006/ceps.1999.1016

Downloads

Published

24/10/2025

Issue

Section

Research articles

How to Cite

Fortuny, A. ., Sancho-Andrés , M., Viñas-Pavón , M. F. ., & Lorenzo de Reizábal, M. (2025). Psychological Factors Involved in the Higher Education of Musicians in Spain: An Exploratory Study from the Students’ Experience. Apuntes De Psicología, 43(3), 339-348. https://doi.org/10.70478/

Similar Articles

1-10 of 405

You may also start an advanced similarity search for this article.

Most read articles by the same author(s)